Sunday, November 17, 2013



Soundtrack Reinforces the Comic Poignancy of Thanks for Sharing

Reviewed by Nadja Maril

“Thanks for Sharing” is the expression I tend to use when someone has given me way too much personal information and I’m trying to be polite. But when you are an addict attending a support group, part of the healing process is sharing.  Honestly verbalizing your feelings helps facilitate recovery.

The majority of characters in the movie  “Thanks for Sharing” directed by Stuart Blumberg, screenplay by Blumberg and Matt Winston, are doing just that—attempting to recover from addiction.  These addicts played by actors Mark Ruffalo, Tim Robbins,  Josh Gad, and  Alecia Moore are not your typical drug, gambling, or alcohol addicts. They are addicted to sex.  They are so addicted to sex that they are unable to successfully function in their daily lives. A ride on the subway brings the temptation of other people’s bodies to rub against, while a computer provides access to tempting pornography sites. Even a television is a forbidden item for a sex addict in recovery as it might provide entertainment, which could awake subdued desires. 

Tim Robbins plays Mike, group leader and mentor/sponsor of Adam played by Mark Ruffalo, who has been in recovery and has been celibate for five years. Adam is finally ready to attempt a committed relationship with a woman.  The object of his desire is Phoebe, played by Gwyneth Paltrow, who has her own challenging personal issues. Five years earlier she had breast cancer and has prosthetic breasts. Cancer free, she is fixated on healthy living, which includes strenuous exercise and a vegetarian diet. Her previous boyfriend was an alcoholic and on their first date she tells Adam she doesn’t want to date another addict and asks whether he ever had a drinking problem. While this logically would have been the perfect time to come clean with the story of his sex addiction, Adam is too infatuated with Phoebe to risk losing the opportunity for intimacy so early in their relationship.

The push and pull of the relationship between Adam and Phoebe and Mike’s relationship with his own family take center stage in this well constructed screenplay that is both humorous and sad, but it is the relationship between nymphomaniac Dede and food and sex obsessed ER doctor Neil which really tells the story.

The unlikely friendship between the tattooed punk style beautician played by Alecia Moore (also known as singer/song writer Pink) and the young overweight Mama’s boy physician played by Josh Gad includes the gift from Dede of a pink bicycle that enables Neil to travel around the city of New York without the need for expensive taxis or the off limits subway.  It’s while he’s on that bicycle, drenched in perspiration because he is way out of shape and you are routing for him to succeed in reaching his goals, that I first became consciously aware of the film’s soundtrack  and how much I liked the music.  Soundtrack music can create mood, suspense, and elation.  It can bridge the passage of time and convey the connections forming between the characters. But movie music is not necessarily music you want to listen to on its own.   The “Thanks For Sharing” soundtrack music is notably good.   So good that I made a mental note to purchase the soundtrack for future listening and I did. The lines in “This Year” as performed by the Mountain Goat,  This time I’m going to make it  through this year if it kills  me, reinforced the efforts of the characters seeking to control their addiction and improve their lives. At the movie’s end when I heard Billy Bragg sing Tender Comrade and the lines,  What will you say of the bond we had, tender comrade? Will you say that we were brave as the shells fell all around us?, the message of the bonding that developed between the characters was reinforced.

After purchasing the soundtrack online and starting to write this review I took a look at the soundtrack notes and learned just how important the soundtrack songs had been to writer/director  Stuart Blumberg. He writes, “this movie’s soundtrack is heavily indebted to songs that have meant a lot to me over my life…The ones I chose were united by a common element: the primacy of the voice. Literally, their human voice. I wanted those voices to stand as counterpoint to the voices of characters, who throughout the movie, bare their souls in the safety of the room of their 12 step programs.”  His song selection did not go unnoticed.

Thanks for Sharing premiered at the 2012 Toronto International Film Festival and was released in the United States last month (Sept.20, 2013). I recommend seeing the film and I recommend buying the soundtrack.

Tuesday, October 22, 2013


Blue Jasmine
Charlie Greene
As a huge Woody Allen fan, I came to Blue Jasmine with a lot of excitement, and left feeling disappointed.  While he captured the incredibly beautiful scenery of San Francisco and New York, I didn’t care about any of the characters, especially the main one, Jasmine.  In fact, she may be the most unlikable character I’ve ever seen in a Woody Allen film.  Worse than her self-destructive behavior, her self-delusion and snobbery was intolerable to watch.  Feeling so smugly superior to everyone around her, she has no qualms about lying to her boyfriend about her past, expecting to regain her wealth and social standing.  Of course, Allen’s made other movies with morally ambiguous characters, even a few who get away with murder, and I’ve enjoyed watching those characters.  Deconstructing Harry springs to mind.  What’s the difference?
The title character in Harry was a wreck of a human being, making extremely poor choices and suffering the consequences.  But in the film, he was a talented writer who literally brought the characters in his stories to life.  He was also, to some extent, aware of his failings.  He was a loser, but there was an endearing quality to him that, if it didn’t make me entirely like him, I at least felt some sympathy towards him.  Plus, Woody Allen is a wonderfully gifted comic actor, and watching him go through these crises of his own making, with such wit, makes me laugh every time I watch it.
Jasmine had no such endearing qualities to her.  The only gift she possessed was for self-deception.  She had no insight into her problems, and never grew over the course of the story.  Her only change was to become worse off than when she started.  In some way, my passionate dislike of Jasmine is a testament to Cate Blanchett’s acting ability.  In fact, until I spoke with other friends who had seen the film, I had no idea Blanchett was in it.  Her ability to completely submerge herself into such an unlikable character is a true testament to her talents.
Still, Blue Jasmine let me down.  Woody Allen’s made many films over the course of his more than 50 year career.  Many of them, like Hannah and Her SistersMighty Aphrodite, and Annie Hall, are wonderfully creative, funny, and touching.  In so many of his films, he tries out new approaches to telling stories, and many times, they work brilliantly.  Blue Jasmine, sadly, doesn’t.  It seemed to lack Allen’s usual spark or inventive qualities.  It felt like a tired film that any other director could have made.  Maybe it’s unfair to come to one of his films with such high expectations.  He’s certainly made other films that, for whatever reason, didn’t quite work.  So I have no doubt that his next film (or the one after that) will be the usual Woody Allen success.
Charles Green is a freelance writer and editor based in Annapolis.  His book reviews appear in several publications, including Publishers Weekly.

Monday, September 23, 2013

A review of THE BUTLER for Annapolis Film Festival Fans!

The opinions and views expressed here are those of our guest bloggers and are not necessarily those of the Annapolis Film Festival.

The Butler
By Beth Rubin
Ken Burns meets Forrest Gump in the bio-pic, “The Butler,” written by Danny Strong (“Game Change”) and directed by Lee Daniels (“Precious”). The seed for the full-length drama germinated from a 2008 Washington Post article by Will Haygood, about White House butler Eugene Allen who served eight presidents, beginning with Ike in 1952. In this fictionalized, fast-paced film, we meet Cecil Gaines, a deus ex machina for presenting a compressed version of the civil rights movement. For that alone, the film (even when it deviates from the factual or plausible) should be required viewing— for anyone who wasn’t around in the ‘60s and ‘70s, and as a reminder for those of us who were. 
Young Cecil winds up in the White House mess, with its all-black staff and plantation model, after enduring unspeakable trauma and humiliation living on a Georgia cotton farm and working in a southern hotel. But he keeps taking it—his face, a blank slate; his voice, steady. In fact, he enjoys his subservient role, to the consternation of his wife Gloria (Oprah Winfrey). One son, Louis (David Oyelowo), joins the civil rights movement, creating a widening schism between father and son while the other, “good” son, Charlie (Elijah Kelley) does all the right things and fades into the wallpaper of the Gaines home before meeting a tragic end.
Like Forrest Gump, activist Louis is front and center for every major civil rights event, never missing a sit-in, Freedom Ride, or Black Panther rally. This guy gets around! Hell, he’s even with MLK at the Lorraine Motel when King is assassinated.
The acting, top to bottom, is as good as it gets. Winfrey shines as the loving, steadfast, hard-drinking and chain-smoking wife who wishes her husband worked normal hours. Liev Schreiber as LBJ, John Cusack as Richard Nixon, and Alan Rickman as a somnolent Ronald Reagan shine. Jane Fonda’s cameo performance as Nancy Reagan is spot on. (One has to wonder what Nancy Reagan thinks of Hanoi Jane’s interpretation.)
The Butler is very good entertainment. But leave your nitpickers at the popcorn stand.
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Beth Rubin is a longtime Annapolis writer-author and film enthusiast who writes frequently about the arts.  www.bethrubinauthor.com

Sunday, April 14, 2013

Hello Film Fans,
If you or someone that you know has a child interested in film or filmmaking, why not suggest that they sign up for FILMSTERS ACADEMY? www.filmstersacademy.com. In existence for 12 years, this summer film camp for kids 11-20 is a hands on experiential filmmaking program. It takes place in Annapolis from July 29th through August 9th.

It all begins on day one with an idea...each student is asked to pitch their idea for a short film to the whole camp. Ideas are voted on and the most popular ones are made. Small groups are developed and kids choose their jobs. It is all very democratic.

There are three levels of instruction... Beginners, Intermediates and Advanced filmmakers.  This is a picture from last summer's Advanced shoot for FLEW THE COOP. Director, Annie Schwartz is on the left, DP Antonio Marasco is being guided by Supervising Director of Photography, Tyler W. Davis.

This is the crazy cast of SUPER REDNECK VAMPIRE ZOMBIES FROM OUTER SPACE!


The Advanced class shoots a scene at Annapolis' Double T Diner with guest instructors supervising.


Acting coach, Paul Richardson, poses for a funny shot after Erica Rowe has applied special effects makeup.
A special effects shot is staged in front of a green screen with the assistance of guest instructor, Rick Kain, professional stuntman and stunt coordinator.



Lots of editing takes place in order to complete the films in time for the festival. Film camp teaches hands-on of final cut pro editing software on the latest mac computers. A student is guided by editor, Erica Rowe.



Jeff Gerheiser, Operations at FILMSTERS Academy MC'd the film festival and introduced all ten short films for an audience of over 500!!!

Friday, February 15, 2013

Be Sure to See...Part 2


Only the Young, to be shown at the AFF, has just been named one of the top five docs of 2012 by the National Board of Review of Motion Pictures.

Only the Young introduces us to three Southern California teenagers living in a small desert town known for its foreclosed homes and empty swimming pools. The town's single saving grace is its skate parks. Through these vulnerable, articulate, and rebellious youths, audiences get a close-up look at this generation's hopes and dreams as they learn the importance of friendship.




Combat Girls, Marisa, a 20-year-old working-class German, loves and hates with equal passion. When 14-year-old Svenja joins Marisa's violent Neo-Nazi group,  the older girl incorporates Svenja's ideal of combat girl fighting into the group's ideology. But things change when Marisa encounters a young Afghan refugee. Authentic, brutal, and powerful, Combat Girls explores the gritty, complex nuances of national and personal identity; love, family, and friendship.



Wednesday, February 6, 2013

Behind The Scenes


Meet AFF’s founding members and Co-Creative Directors, Patti O. White and K. Lee Anderson.

Patti has been a producer/director/writer in the fields of TV, journalism and film for over 30 years and is co-owner of Filmsters, a TV and film production company in Annapolis, which is currently developing and producing several documentaries and series.

For three seasons, she was Producer and Senior Producer for ABC’s Extreme Makeover, a People’s Choice Award-winning show. She spent over 15 years at CBS News in New York where she produced 60 Minutes and CBS Reports and received three National Emmy Awards, three additional Emmy nominations and the coveted George Foster Peabody Award. Patti produced and directed the multi-award winning 2001 feature documentary, If I Could, narrated by Sally Field. She has served on the Board of Directors for the Boys and Girls Clubs of Annapolis and Anne Arundel County for 17 years.

Lee is a Producer and Line Producer who began her career as a news and commercial producer for ABC and CBS affiliates in Maryland before joining Filmsters in 1994.  Her credits have appeared on ABC (Extreme Makeover), CBS, TBS, Lifetime TV, Discovery Health and Current TV.
Lee just completed production of a national event for Google. As a producer on the award-winning documentary, If I Could, Lee spent many months on the festival circuit.

Lee and Patti are co-founders of Filmsters Academy, an annual filmmaking program for young people between the ages of 11-20.


- Annapolis Film Festival

Tuesday, February 5, 2013

Follow AFF on Twitter!

Want to keep  up with all the latest news from the Annapolis Film Festival? Follow us on Twitter at https://twitter.com/annapolisff




- Annapolis Film Festival